Reviews
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The latest 10 reviews by category
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| Title | Originator | Reviewer |
|---|---|---|
| (Un)natural Narratives | Standpoint Gallery | Giuseppe Marasco |
| 3 Winters | National Theatre | Corinna Lotz |
| A Child of Our Time | Michael Tippett | Kate McCabe |
| A Dirty War, a Russian reporter in Chechnya | Anna Politkovskaya | Kate McCabe |
| A Hidden History of the Cuban Revolution: How the Working Class Shaped the Guerrillas’ Victory | Steve Cushion | Peter Arkell |
| A Model for Mankind | James Sheldon | Corinna Lotz |
| A Model for Mankind | James Sheldon | Penny Cole |
| A Morning with Guy Burgess | John Morrison | Corinna Lotz |
| A New Labour Nightmare: the return of the awkward squad | Andrew Murray | Laurence Humphries |
| A New World: a life of Thomas Paine | Shakespeare’s Globe Theatre | Penny Cole |
| A Pub Crawl Through History | Mike Pentelow, Peter Arkell | Dave Douglass |
| A Short History of Slavery | James Walvin | Susan Jappie |
| A Slap in the Face! Futurists in Russia | Estorick | Corinna Lotz |
| A User’s Guide to the Crisis of Civilisation | Nafeez Mosaddeq Ahmed | Phil Sharpe |
| A very British strike | Anne Perkins | Paul Feldman |
| A window on Ukraine | Robert Burns at The Hidden Gallery | Penny Cole |
| A World to Win: a rough guide to a future without global capitalism | Paul Feldman & Corinna Lotz | Peter Arkell |
| A Writer at War: Vasily Grossman with the Red Army 1941-1945 | Antony Beevor | Peter Arkell |
| Abstract Expressionist New York | MoMA | Robin Richmond |
| Abstraction in Italy 1930-1980 | Estorick | Corinna Lotz |
| Adam Spreadbury-Maher | White Bear Theatre Kennington | Corinna Lotz |
| Afghanistan, Crossroads of the Ancient World | British Museum | Corinna Lotz |
| After Occupy: Economic Democracy for the 21st Century | Tom Malleson | Gerry Gold |
| Against Mussolini, Art and the fall of a Dictator | Estorick | Corinna Lotz |
| Alexander Rodchenko: Revolution in Photography | Hayward Gallery | Roger Huddle |
| Algeria: France’s Undeclared War | Martin Evans | Peter Arkell |
| Alison Watt: Phantom | National Gallery | Penny Cole |
| Amazing Grace | Michael Apted | Maria Antonietta Perna |
| Americans in Paris | National Gallery | Corinna Lotz |
| An inconvenient truth | Al Gore | Penny Cole |
| Anish Kapoor | Royal Academy of Arts | Robin Richmond |
| Another World Is Possible - a manifesto for a 21st century socialism | John McDonnell | Peter Arkell |
| Anselm Kiefer | Royal Academy of Arts | Robbie Griffiths |
| Anselm Kiefer | White Cube | Robin Richmond |
| Anthony Caro | Tate Britain | Corinna Lotz |
| Antimatter | Frank Close | Stuart Barlow |
| Antonio Gramsci | Antonio Santucci | Phil Sharpe |
| Applause, Cheer, Boo, Hiss | Land of Talk | Dylan Strain |
| Area 10 Project Space | Area 10 Project Space | Corinna Lotz |
| Artes Mundi | National Museum Cardiff | Melanie Abrams |
| Awakening to Life | Alexander Meshcheriakov | Leda Kamenopoulou |
| Bait and Switch: The Futile Pursuit of the Corporate Dream | Barbara Ehrenreich | Fiona Harrington |
| Bay of Flags & other poems | Enrique Juncosa | Corinna Lotz |
| Beyond Resistance | Gerry Gold and Paul Feldman | Phil Sharpe |
| Beyond the Corporation , Humanity Working | David Erdal | Penny Cole |
| Bill Brandt | V&A | Corinna Lotz |
| Black by Design | Pauline Black | Corinna Lotz |
| Black Earth City | Charlotte Hobson | Kate McCabe |
| Bolivia: Processes of Change | John Crabtree & Ann Chaplin | Susan Jappie |
| Bombs Have not Breakfasted Yet | Adnan al-Sayegh | Corinna Lotz |
| Brianstorm | Artic Monkeys | Dylan Strain |
| Brilliant women - 18th Century Bluestockings | National Portrait Gallery | Penny Cole |
| Bronze | Royal Academy | Corinna Lotz |
| Building the Revolution | Royal Academy | Corinna Lotz |
| Burnt by the Sun | National Theatre | Corinna Lotz |
| Camille Claudel | Rodin Museum | Corinna Lotz |
| Capital in the Twenty-First Century | Thomas Piketty | Gerry Gold |
| Capitalism as if the world matters | Jonathon Porritt | Paul Feldman |
| Capitalism versus Planet Earth | Fawzi Ibrahim | Gerry Gold |
| Capitalism’s New Crisis, what do socialists say? | Chris Harman | Gerry Gold |
| Capitalist & Conquerors. A Critical Pedagogy Against Empire | Peter McLaren | Alpesh Maisuria |
| Change the world without taking power | John Holloway | Phil Sharpe |
| Che as revolutionary and icon | V & A | Corinna Lotz; photos Lizzy Clarke |
| Che Part I | Steven Soderbergh | Peter Arkell |
| Chinese Whispers | Hsiao-Hung Pai | Peter Arkell |
| Choco, Colour and rhythm of Cuba | Chambers Gallery | Penny Cole |
| Civil Resistance and Power Politics | Oxford University Press | Phil Sharpe |
| Classic Italian Film Posters | Estorick Collection | Robbie Griffiths |
| Classic Soviet Modernist Photographer Max Penson and the Soviet Modernisation of Uzbekistan 1920-1930s | Somerset House | Corinna Lotz |
| Collaboration | Ronald Harwood | Penny Cole |
| Communazis – FBI Surveillance of German Émigré Writers | Alexander Stephan | Corinna Lotz |
| Communities, Councils and a Low Carbon Future | Alexis Rowell | Susan Jappie |
| Complexity: A Guided Tour | Melanie Mitchell | Stuart Barlow |
| Conservation: Principles, Dilemmas and Uncomfortable Truths | Alison Richmond & Alison Bracker | Robin Richmond |
| Constructing Worlds | Barbican Art Gallery | Corinna Lotz |
| Cuba, What Everyone Needs to Know & The Bay of Pigs | Julia E Sweig and Howard Jones | Peter Arkell |
| Danton’s Death | Georg Büchner | Corinna Lotz |
| Darwin’s Lost World | Martin Brasier | Stuart Barlow |
| David Hockney: A Bigger Picture | Royal Academy | Corinna Lotz |
| David Mach | Edinburgh City Arts Centre | Penny Cole |
| David Smith | Tate Modern | Corinna Lotz |
| Defrag_ | Camden People’s Theatre | Corinna Lotz |
| Defy the Stars, The Life and Tragic Death of Tom Hurndall | Jocelyn Hurndal | Peter Arkell |
| Denis Bowen | The Belgrave Gallery | Corinna Lotz |
| Depart | Circa | Giuseppe Marasco |
| Dialectics of the Ideal: Evald Ilyenkov and Creative Soviet Marxism | Alex Levant and Vesa Oittinen | Corinna Lotz |
| Dickens and the Artists | Watts Gallery | Corinna Lotz |
| Digging the Seam | Simon Popple and Ian W Macdonald [Eds] | Peter Arkell |
| Disposable People | Festival Hall | Susan Jappie |
| Documenting Style: 60 Years of Fashion Photography | Magnum Photos | Melanie Abrams |
| Donjong Heights | Ben Borek | Mike Clement |
| Earth Shattering | Neil Astley | Penny Cole |
| Education as an agent for change | Mike Cole | Spyros Themelis |
| Eleanor Marx, A Life | Rachel Holmes | Corinna Lotz |
| Ellen Graubart: Paintings: Structured Images | Millenery Works Gallery | Corinna Lotz |
| Engels: A revolutionary life | John Green | Philip Wade |
| Enslaved: The New British Slavery | Rahila Gupta | Susan Jappie |
| Evaluating the operation of PFI in roads and hospitals. ACCA Research report No.84 | ACCA | Paul Feldman |
| Even The Rain | Icíar Bollaín | Susan Jappie |
| Every Good Boy Deserves Favour | Tom Stoppard and André Previn | Penny Cole |
| Everyday Adventures with Anthony, his Family and the Flowers | Curwen Gallery | Robin Spalding |
| Everything Flows | Vasily Grossman | Peter Arkell |
| Evo Morales and the Movimiento Al Socialismo in Bolivia | ed. Adrian Pearce | Susan Jappie |
| Extracted: How the quest for mineral wealth is plundering the planet | Ugo Bardi | Susan Jappie |
| Facing the Modern | National Gallery | Corinna Lotz |
| Famine and Foreigners: Ethiopia since Live Aid | Peter Gill | Susan Jappie |
| Fences and Windows: Dispatches from the Frontlines of the Globalization Debate | Naomi Klein | Robert Silver |
| Feral | New Wimbledon Studio | Jelena Gerreyn |
| Fire in Babylon | Stevan Riley | Paul Feldman |
| First As Tragedy, Then as Farce | Slavoj Zizek | Phil Sharpe |
| Foreign Bodies, Common Ground | Wellcome Collection | Giuseppe Marasco |
| Forgotten Empire: the world of ancient Persia | British Museum | Corinna Lotz |
| Foxhunting and land ownership - the rich at play | RPM | John Eden |
| Fracking Capitalism | A World to Win | Bheki Moyo |
| Framing Modernism – Architecture in Italy 1926-1965 | Estorick Collection | Corinna Lotz |
| Frances Aviva Blane | Hampstead School of Art | Corinna Lotz |
| Frances Aviva Blane | Quest 21 gallery, Brussels | Corinna Lotz |
| Francis Alÿs | Tate Modern | Corinna Lotz |
| Frank Holl: Emerging from the Shadows | Watts Gallery | Corinna Lotz |
| Frida Kahlo and Diego Rivera | Pallant House Gallery, Chichester | Corinna Lotz |
| From a Rock to a Hard Place: memories of the 1984/85 Miners Strike | Beverley Trounce | Peter Arkell |
| From Beatles to Bowie; The 60s Exposed | National Portrait Gallery | Robin Richmond |
| From Morandi to Guttuso | Estorick Collection | Corinna Lotz |
| From Russia | Royal Academy | Corinna Lotz |
| Gal Rasche | Konzerthaus Vienna | Dylan Strain |
| Garden and Cosmos - the Royal Paintings of Jodhpur | British Museum | Robin Richmond |
| GB84 | David Peace | Phil Sharpe |
| Geordies - Wa Mental & The Wheel’s Still in Spin | Dave Douglas | Fiona Harrington |
| George Shaw: My Back to Nature | National Gallery | Robin Richmond |
| Get loaded in the park | Clapham Common | Dylan Strain |
| Ghost Dancers | Dave Douglass | Peter Arkell |
| Girl in White | Sue Hubbard | Corinna Lotz |
| Global NATO and the Catastrophic Failure in Libya | Horace Campbell | Peter Arkell |
| Global Warming: A very Short Introduction | Mark Maslin | Stuart Barlow |
| Global Warming's Terrifying New Math | Bill McKibben | David Schwartzman |
| Globalisation, information and libraries: the implications of the World Trade Organisation’s GATS and TRIPS Agreements | Ruth Rikowski | John Vincent |
| Hadi never died: Hadi Saleh and the Iraqi trade unions | Abdullah Muhsin and Alan Johnson | Laurence Humphries |
| Hadrian: Empire and Conflict | British Museum | Corinna Lotz |
| Harold Pinter acceptance speech for Nobel Prize for Literature | Harold Pinter | Harold Pinter |
| Harold Pinter wins Nobel Prize for Literature | Harold Pinter | Penny Cole |
| Heat | George Monbiot | Penny Cole |
| Helen Macfarlane: a feminist, revolutionary journalist and philosopher in mid-nineteenth century England | David Black | Kate McCabe |
| Hiroshima: the World’s Bomb | Andrew J. Rotter | Peter Arkell |
| Hogarth; Gilbert & George | Tate | Melanie Abrams |
| Holding Fire | Jack Shepherd | Penny Cole |
| Homeland | Nick Ryan | Corinna Lotz |
| How To Read Sartre | Robert Bernasconi | Maria Antonietta Perna |
| Huang Yong Ping | Vancouver Art Gallery | Robin Richmond |
| Humbug | Arctic Monkeys | Dylan Strain |
| If I Were Me | Soho Theatre | Corinna Lotz |
| If Spirit Alone Won Battles: The Diary of John Lowe | Jonathan Symcox | Peter Arkell |
| In Estates - An Intimate History | Lynsey Hanley | Stuart Barlow |
| In Rainbows | Radiohead | Dylan Strain |
| In the Jungle of the Cities | Bertolt Brecht | Corinna Lotz |
| Indigenous Nations' Rights in the Balance | Charmaine White Face, Zumila Wobaga | Dave Terrey |
| Inessa – Lenin’s Mistress | Michael Pearson | Cissie Lodge |
| Inside Al Qaeda and the Taliban + Understanding Al Qaeda | Syed Saleem Shahzad + Mohamedou | Peter Arkell |
| Internal Conversations in the Dark | The Duke of Disillusion | Dylan Strain |
| Interview with exiled Iraqi poet | Adnan al-Sayegh | Corinna Lotz |
| Intimate Portraits | British Museum | Corinna Lotz |
| Inventing Impressionism | National Gallery | Corinna Lotz |
| Invisible Storms | Cock Tavern Theatre | Corinna Lotz |
| Is Anything Broken? | Tristan Bates Theatre | Corinna Lotz |
| Islam, Postmodernism and Other Futures | Ziauddin Sardar | Corinna Lotz |
| It could have all been so different | Laurence Keeley | Fiona Harrington |
| It’s a Free World | Ken Loach | Corinna Lotz |
| Jimmy’s Hall | Ken Loach | Peter Arkell |
| Joan Miró: The Ladder of Escape | Tate Modern | Corinna Lotz |
| John Berger: Art and Property Now | King’s Cultural Institute | Corinna Lotz |
| John Pilger's Great Eyewitness Photographers | Barbican | Corinna Lotz |
| Joseph Stalin (1878-1953): images of people, power and repression | British Library | Corinna Lotz |
| Just Law | Helena Kennedy | Paul Feldman |
| Kandinsky: the path to abstraction | Tate Modern | Corinna Lotz |
| Katy Moran | Parasol Unit gallery | Giuseppe Marasco |
| Killing the Messenger | Christopher Wallace | Penny Cole |
| Kyun-Chome | Deptford X | Corinna Lotz |
| Labour Party PLC | David Osler | Phil Sharpe |
| Lara Viana | Domobaal | Giuseppe Marasco |
| Leave before the lights come on | The Arctic Monkeys | Dylan Strain |
| Leonardo and Vermeer | National Gallery & Fitzwilliam | Robin Richmond |
| Life and death: Pompeii and Herculaneum | British Museum | Corinna Lotz |
| Life and Fate | Vasily Grossman | Peter Arkell |
| Life and Fate | Vasily Grossman | Peter Arkell |
| Light Shining in Buckinghamshire | Caryl Churchill | Corinna Lotz |
| Linda Persson | Julian Hartnoll Gallery | Corinna Lotz |
| Living in the End Times | Slavoj Zizek | Phil Sharpe |
| Living Landscape | Robin Richmond | Corinna Lotz |
| Local Food | Tamzin Pinkerton & Rob Hopkins | Gerry Gold |
| Louise Bourgeois, Francis Bacon and Frances Aviva Blane | De Queeste Art | Corinna Lotz |
| Love House | the nkr | Dylan Strain |
| Magical Marxism | Andy Merrifield | Phil Sharpe |
| Making Money, the philosophy of crisis capitalism | Ole Bjerg | Gerry Gold |
| Making Peace with the Earth | Vandana Shiva | Susan Jappie |
| Making the Social World | John R Searle | Phil Sharpe |
| Manet: Portraying Life | Royal Academy | Corinna Lotz |
| Marching to the Fault Line | Francis Beckett and David Hencke | Peter Arkell |
| Marx and alienation: essays on Hegelian themes | Sean Sayers | Gerry Gold |
| Marx’s Das Kapital, A Biography | Francis Wheen | Gerry Gold |
| Marx's Ecology | John Bellamy Foster | Kate McCabe |
| McLibel: The sequel - the postman and the gardener who took on McDonald's | Spanner Films | Gerry Gold |
| Merry Christmas | Asobi Seksu | Dylan Strain |
| Mexico’s Revolution Then and Now | James D Cockcroft | Phil Sharpe |
| Michael Clayton | Tony Gilroy | Penny Cole |
| Michelangelo Drawings: Closer to the Master | British Museum | Corinna Lotz |
| Mineros, Bolivia | Jean-Claude Wicky | Peter Arkell |
| Moctezuma: Aztec Ruler | British Museum | Robin Richmond |
| Modernising Money | Andrew Jackson & Ben Dyson | Gerry Gold |
| Monday Love | The Good Ship | Dylan Strain |
| More Bad News from Israel | Greg Philo and Mike Berry | Penny Cole |
| Music Night at the Apollo | Lilian Pizzichini | Corinna Lotz |
| My Father was a Freedom Fighter: Gaza’s untold story | Ramzy Baroud | Peter Arkell |
| My Life in the PLO | Shafiq Al-Hout | Peter Arkell |
| Naked | Benjamin Zephaniah | Peter Newton |
| Native Americans face the 21st Century | Alberto Arzoz | Corinna Lotz |
| No Logo | Naomi Klein | Stuart Radcliffe |
| No Redemption | Keith Pattison and David Peace | Phil Sharpe |
| Nothing | Frances Aviva Blane | Corinna Lotz |
| Orwell and Marxism, The political and Cultural Thinking of George Orwell | Philip Bounds | Peter Arkell |
| Out from the shadow of a martyr | Ken Wiwa | Corinna Lotz |
| Painting the Summer: Henri Fantin-Latour | York City Art Gallery | Corinna Lotz |
| Panic Prevention | Jamie-T | Dylan Strain |
| Paramilitarism and the Assault on Democracy in Haiti | Jeb Sprague | Joe Taylor |
| Paul Hart | JaggedArt | Corinna Lotz |
| Paul Klee: Making Visible | Tate Modern | Robin Richmond |
| Paul Tonkin | Delfina | Corinna Lotz |
| Paul Tonkin | Old Electrical Shop café | Corinna Lotz |
| Perfect Blemish Perffaith Nam | Menna Elfyn | Mike Clement |
| Peter Doig | Tate Britain | Corinna Lotz |
| Philosophical Arabesques | Nikolai Bukharin | Corinna Lotz |
| Philosophy Bites | David Edmonds, Nigel Warburton | Phil Sharpe |
| Photographs of the Touareg nomads | Alberto Arzoz | Corinna Lotz |
| Picasso and Modern British Art | Scottish Gallery of Modern Art | Penny Cole |
| Picasso: Challenging The Past | National Gallery | Robin Richmond |
| Pictures against the wall | P.O.W. | Corinna Lotz |
| Plundering the Public Sector | David Craig | Gerry Gold |
| Product Medea 4.0 | Cock Tavern | Corinna Lotz |
| Radical Light: Italy’s Divisionist Painters | National Gallery | Penny Cole |
| Radical Nature | Barbican | Stuart Barlow |
| Real Enemies | Kathryn Omsted | Paul Feldman |
| Rebel City - Larkin, Connolly and the Dublin labour movement | John Newsinger | Laurence Humphries |
| Reclaiming Marx’s Capital, The Failure of Capitalist Production | Andrew Kliman | Ravi Bali |
| Recovering Bookchin | Andy Price | Susan Jappie |
| Red Black and Ignorant | Edward Bond | Corinna Lotz |
| Red Seminars: Radical Excursions into Educational Theory, Cultural Politics, and Pedagogy | Peter McLaren and Companeras y Companeros | Spyros Themelis |
| Rembrandt, the late works | National Gallery | Robin Richmond |
| Renaissance Faces: Van Eyck to Titian | National Gallery | Robin Richmond |
| Renaissance Siena Art for a City | National Gallery | Robin Richmond |
| Renoir Landscapes | National Gallery | Robin Richmond |
| Review of Representing Slavery | National Maritime Museum, Greenwich | Susan Jappie |
| Revolution at the Gates | Slavoj Zizek | Paul Feldman |
| Revolution on Paper: Mexican Prints 1910-1960 | British Museum | Corinna Lotz |
| Revolutionary Doctors | Steve Brouwer | Peter Arkell |
| Revolutions that made the earth | Tim Lenton and Andrew Watson | Susan Jappie |
| Richard II | Shakespeare | Paul Feldman |
| Richard Walker | Gabriel Fine Art | Corinna Lotz |
| Ricin! The Inside Story of the Terror Plot That Never Was | Lawrence Archer and Fiona Bawdon | Peter Arkell |
| Rock ‘N’ Roll | Tom Stoppard | Penny Cole |
| Rodchenko and His Circle | Art Sensus | Corinna Lotz |
| Rodin | Royal Academy | Corinna Lotz |
| Rothko | Tate | Robin Richmond |
| Rough Crossings | Lyric Hammersmith | Eugene Dalton-Ruark |
| Russia and the Arts – The age of Tolstoy and Tchaikovsky | National Portrait Gallery | Corinna Lotz |
| Russian Avant-Garde | Bozar, Brussels | Corinna Lotz |
| Russian Avant-Garde Theatre | V & A | Peter Sturm |
| Saul Steinberg Illuminations | Dulwich Picture Gallery | Corinna Lotz |
| Schwitters in Britain | Tate Britain | Robin Richmond |
| Scratch the Surface | National Gallery | Corinna Lotz |
| Secret manoeuvres in the Dark: Corporate and Police Spying on Activists | Eveline Lubbers | Peter Arkell |
| Serapions | Edwin Piplits | Dylan Strain |
| Shafted: the Media, the Miners’ strike & the Aftermath | ed: Granville Williams | Peter Arkell |
| Signs of Revolt | Truman Brewery | Penny Cole |
| Singing for Inanna | Adnan Al-Sayegh & Jenny Lewis | Robbie Griffiths & Corinna Lotz |
| Six Degrees: Our Future on a Hotter Planet | Mark Lynas | Stuart Barlow |
| Sophie Scholl, the final days | Marc Rothemund | Corinna Lotz |
| Soviet Non-Conformist Art - Before and after the fall of the USSR | Chambers Gallery | Corinna Lotz |
| Sowing seeds in the desert | Masanobu Fukuoka | Susan Jappie |
| Spies, lies and whistleblowers | Annie Machon | Paul Feldman |
| Spook Country | William Gibson | Corinna Lotz |
| Spring Revolutions, The Years of Celebrity | Atlas Gallery, Estorick Collection | Corinna Lotz |
| Squeezed, America as the Bubble Bursts | Danny Schechter | Gerry Gold |
| Stalingrad: How the Red Army Triumphed | Michael K Jones | Corinna Lotz |
| State Britain | Mark Wallinger | Corinna Lotz |
| Stockwell Depot 1967-1979 | University of Greenwich Galleries | Corinna Lotz |
| Stones of the Sky | Robin Richmond | Corinna Lotz |
| Straight Power Concepts in the Middle East | Gregory Harms | Bruce Chapman |
| Studies for a Portrait | White Bear Theatre Kennington | Corinna Lotz |
| Stupid White Men | Michael Moore | Paul Feldman |
| Syriana | George Clooney | Penny Cole |
| Tagore’s Universal Allegories | Inerva | Corinna Lotz |
| Taking Liberties | Chris Atkins | Paul Feldman |
| Taking Sides | Ronald Harwood | Corinna Lotz |
| Teaching Against Global Capitalism and the New Imperialism: A Critical Pedagogy | Peter McLaren | Alpesh Maisuria |
| Teaching Peter McLaren. Paths of Dissent | Peter Lang Publishing | Alpesh Maisuria |
| Tête à Tête: The Lives and Loves of Simone de Beauvoir & Jean-Paul Sartre | Hazel Rowley | Maria Antonietta Perna |
| The Age of Stupid | Franny Armstrong | Penny Cole |
| The Amazing Mrs Pritchard | Sally Wainwright | Dylan Strain |
| The Art of a Nation | Mall Galleries | Corinna Lotz |
| The Art of Lee Miller | V & A | Melanie Abrams |
| The Backroom | Adrian Pagan | Corinna Lotz |
| The battle for Spain | Antony Beevor | Corinna Lotz |
| The Battle of Venezuela | Michael McCaughan | Phil Sharpe |
| The Big Earth | James Bruges | Stuart Barlow |
| The Bourne Ultimatum | Paul Greengrass | Penny Cole |
| The British Constitution | Anthony King | Paul Feldman |
| The Carbon Connection | Carbon Trade Watch | Penny Cole |
| The Carbon Neutral Myth: Offset indulgences for your climate sins | Carbon Trade Watch | Fiona Harrington |
| The Collapse of Western Civilization | Naomi Oreskes, Erik M Conway | Gerry Gold |
| The Credit Crunch | Graham Turner | Gerry Gold |
| The Dark Sahara | Jeremy Keenan | Corinna Lotz |
| The Degradation of the International Legal Order | Bill Bowring | Paul Feldman |
| The Domestic Extremists | Dan Davies | Peter Arkell |
| The Edukators | Hans Weingartner | Corinna Lotz |
| The Enigma of Capital, And the Crises of Capitalism | David Harvey | Gerry Gold |
| The Failure of Capitalist Production | Andrew Kliman | Gerry Gold |
| The Fall of the US Empire | Vassilis K Fouskas and Bülent Gökay | Susan Jappie |
| The Father | Strindberg | Dylan Strain |
| The fearful rise of markets | John Authers | Paul Feldman |
| The Food Wars | Walden Bello | Stuart Barlow |
| The Global Development Crisis | Ben Selwyn | Susan Jappie |
| The Good, The Bad & The Queen | Alborn, Allen, Tong, Simonon | Dylan Strain |
| The Ides of March | Duncan Ley | Corinna Lotz |
| The Institute of Sexology | Wellcome Collection | Corinna Lotz |
| The Making of a Cybertariat: virtual work in a real world | Ursula Huws | Corinna Lotz |
| The Men Who Stare at Goats | Grant Heslov | Penny Cole |
| The New Paradigm for Financial Markets: The Credit Crisis of 2008 | George Soros | Gerry Gold |
| The New Spectre Haunting Europe—The ECJ, Trade Union Rights, and the British Government | K.D. Ewing and John Hendy QC | Peter Arkell |
| The New Turkey | Chris Morris | Spyros Themelis |
| The Painting of Modern Life | Hayward Gallery | Robin Richmond |
| The Power of Yes | David Hare | Paul Feldman |
| The Problem of the Media, US Communication Politics in the 21st Century | Robert W McChesney | Corinna Lotz |
| The Queen | Stephen Frear | Penny Cole |
| The Ragged Edge of the World | Eugene Linden | Susan Jappie |
| The Riches beneath Our Feet: How Mining Shaped Britain | Geoff Coyle | Peter Arkell |
| The Rise of the Tea Party | Anthony DiMaggio | Phil Sharpe |
| The Sacred Made Real | National Gallery | Robin Richmond |
| The Shared Heart | Brian and Bibo Keeley | Penny Cole |
| The Shield of Achilles | Philip Bobbitt | Paul Feldman |
| The Shock Doctrine - the rise of Disaster Capitalism | Naomi Klein | Peter Arkell |
| The Spirit of ’45 | Ken Loach | Paul Feldman |
| The Sustainable Economics of Elinor Ostrom | Derek Wall | Gerry Gold |
| The Taming of the Shrew | byMoonlight Theatre | Corinna Lotz |
| The Tempest | William Shakespeare | Corinna Lotz |
| The Trial of Tony Blair | Alistair Beaton | Fiona Harrington |
| The Tyrannicide Brief | Geoffrey Robertson | Paul Feldman |
| The Uncommon Reader | Alan Bennett | George Harbinson |
| The Unknown Monet | Royal Academy of Arts | Corinna Lotz |
| The Value of Nothing, How to reshape market society and redefine democracy | Raj Patel | Phil Sharpe |
| The Vorticists: Manifesto for a Modern World | Tate Britain | Corinna Lotz |
| The War on Democracy | John Pilger | Peter Arkell & Nicole Curie |
| Things as they ought to be | Exhibit, Golden Lane Estate | Stuart Barlow |
| Think of England | Richard Walker | Corinna Lotz |
| This Changes Everything: Capitalism vs The Climate | Naomi Klein | Peter Arkell |
| Tosca's Kiss | Kenneth Jupp | Corinna Lotz |
| Turner and the Masters | Tate Britain | Robin Richmond |
| Twelve Days - revolution 1956 | Victor Sebestyen | Paul Feldman |
| Twice a Stranger | Bruce Clark | Spyros Themelis |
| UJAMAA, The Hidden Story of Tanzania’s Socialist Villages | Ralph Ibbott | Susan Jappie |
| Undercover, The True Story of Britain's Secret Police | Paul Lewis & Rob Evans | Corinna Lotz |
| Unfinished Business | Peter Arkell and Ray Rising | Phil Sharpe |
| UTOPIA | Ross Bradshaw | Peter Arkell |
| Valerie Wiffen | Hampstead School of Art | Giuseppe Marasco |
| Van Gogh to Kandinsky: Symbolist Landscape in Europe 1880-1910 | National Gallery of Scotland | Penny Cole |
| Vanity Fair Portraits: Photographs 1913-2008 | National Portrait Gallery | Melanie Abrams |
| Vermeer and Music | National Gallery | Corinna Lotz |
| Veronese: Magnificence in Renaissance Venice | National Gallery | Robin Richmond |
| Vessel | Ian Rawlinson | Corinna Lotz |
| Virtual Words, Language on the Edge of Science and Technology | Jonathon Keats | Peter Arkell |
| Vladimir Yankilevsky | Mall Galleries | Corinna Lotz |
| Volta | Bjork | Dylan Strain |
| Volver | Pedro Almodóvar | Penny Cole |
| Walk On The Moon | Asobi Seksu | Dylan Strain |
| Walter A. Rodney: a promise of revolution | Clairmont Chung | Susan Jappie |
| Watercolour | Tate Britain | Corinna Lotz |
| We Go Wandering at Night | Cock Tavern | Corinna Lotz |
| We The People | Eric Schlosser | Corinna Lotz |
| What we Bury at Night, Disposable Humanity | Julian Aguon | Peter Arkell |
| Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh | Whitechapel Gallery | Penny Cole |
| Why it’s kicking off everywhere | Paul Mason | Corinna Lotz |
| Willie McKeown | Inverleith House | Corinna Lotz |
| Windrush Songs | James Berry | Penny Cole |
| Wisconsin Uprising, Labor Fights Back | Monthly Review Press | Gerry Gold |
| Witness to extinction: How we failed to save the Yangtze river dolphin | Samuel Turvey | Susan Jappie |
| Wolfgang Tillmans | Serpentine Gallery | Corinna Lotz |
| Woman Bomb | Ivana Sajko | Corinna Lotz |
| Wonderland | Beth Steel | Peter Arkell |
Reviews by reviewer
| Reviewer | Title | Originator |
|---|---|---|
| Alpesh Maisuria | Capitalist & Conquerors. A Critical Pedagogy Against Empire | Peter McLaren |
| Alpesh Maisuria | Teaching Against Global Capitalism and the New Imperialism: A Critical Pedagogy | Peter McLaren |
| Alpesh Maisuria | Teaching Peter McLaren. Paths of Dissent | Peter Lang Publishing |
| Bheki Moyo | Fracking Capitalism | A World to Win |
| Bruce Chapman | Straight Power Concepts in the Middle East | Gregory Harms |
| Cissie Lodge | Inessa – Lenin’s Mistress | Michael Pearson |
| Corinna Lotz | 3 Winters | National Theatre |
| Corinna Lotz | A Model for Mankind | James Sheldon |
| Corinna Lotz | A Morning with Guy Burgess | John Morrison |
| Corinna Lotz | A Slap in the Face! Futurists in Russia | Estorick |
| Corinna Lotz | Abstraction in Italy 1930-1980 | Estorick |
| Corinna Lotz | Adam Spreadbury-Maher | White Bear Theatre Kennington |
| Corinna Lotz | Afghanistan, Crossroads of the Ancient World | British Museum |
| Corinna Lotz | Against Mussolini, Art and the fall of a Dictator | Estorick |
| Corinna Lotz | Americans in Paris | National Gallery |
| Corinna Lotz | Anthony Caro | Tate Britain |
| Corinna Lotz | Area 10 Project Space | Area 10 Project Space |
| Corinna Lotz | Bay of Flags & other poems | Enrique Juncosa |
| Corinna Lotz | Bill Brandt | V&A |
| Corinna Lotz | Black by Design | Pauline Black |
| Corinna Lotz | Bombs Have not Breakfasted Yet | Adnan al-Sayegh |
| Corinna Lotz | Bronze | Royal Academy |
| Corinna Lotz | Building the Revolution | Royal Academy |
| Corinna Lotz | Burnt by the Sun | National Theatre |
| Corinna Lotz | Camille Claudel | Rodin Museum |
| Corinna Lotz | Classic Soviet Modernist Photographer Max Penson and the Soviet Modernisation of Uzbekistan 1920-1930s | Somerset House |
| Corinna Lotz | Communazis – FBI Surveillance of German Émigré Writers | Alexander Stephan |
| Corinna Lotz | Constructing Worlds | Barbican Art Gallery |
| Corinna Lotz | Danton’s Death | Georg Büchner |
| Corinna Lotz | David Hockney: A Bigger Picture | Royal Academy |
| Corinna Lotz | David Smith | Tate Modern |
| Corinna Lotz | Defrag_ | Camden People’s Theatre |
| Corinna Lotz | Denis Bowen | The Belgrave Gallery |
| Corinna Lotz | Dialectics of the Ideal: Evald Ilyenkov and Creative Soviet Marxism | Alex Levant and Vesa Oittinen |
| Corinna Lotz | Dickens and the Artists | Watts Gallery |
| Corinna Lotz | Eleanor Marx, A Life | Rachel Holmes |
| Corinna Lotz | Ellen Graubart: Paintings: Structured Images | Millenery Works Gallery |
| Corinna Lotz | Facing the Modern | National Gallery |
| Corinna Lotz | Forgotten Empire: the world of ancient Persia | British Museum |
| Corinna Lotz | Framing Modernism – Architecture in Italy 1926-1965 | Estorick Collection |
| Corinna Lotz | Frances Aviva Blane | Quest 21 gallery, Brussels |
| Corinna Lotz | Frances Aviva Blane | Hampstead School of Art |
| Corinna Lotz | Francis Alÿs | Tate Modern |
| Corinna Lotz | Frank Holl: Emerging from the Shadows | Watts Gallery |
| Corinna Lotz | Frida Kahlo and Diego Rivera | Pallant House Gallery, Chichester |
| Corinna Lotz | From Morandi to Guttuso | Estorick Collection |
| Corinna Lotz | From Russia | Royal Academy |
| Corinna Lotz | Girl in White | Sue Hubbard |
| Corinna Lotz | Hadrian: Empire and Conflict | British Museum |
| Corinna Lotz | Homeland | Nick Ryan |
| Corinna Lotz | If I Were Me | Soho Theatre |
| Corinna Lotz | In the Jungle of the Cities | Bertolt Brecht |
| Corinna Lotz | Interview with exiled Iraqi poet | Adnan al-Sayegh |
| Corinna Lotz | Intimate Portraits | British Museum |
| Corinna Lotz | Inventing Impressionism | National Gallery |
| Corinna Lotz | Invisible Storms | Cock Tavern Theatre |
| Corinna Lotz | Is Anything Broken? | Tristan Bates Theatre |
| Corinna Lotz | Islam, Postmodernism and Other Futures | Ziauddin Sardar |
| Corinna Lotz | It’s a Free World | Ken Loach |
| Corinna Lotz | Joan Miró: The Ladder of Escape | Tate Modern |
| Corinna Lotz | John Berger: Art and Property Now | King’s Cultural Institute |
| Corinna Lotz | John Pilger's Great Eyewitness Photographers | Barbican |
| Corinna Lotz | Joseph Stalin (1878-1953): images of people, power and repression | British Library |
| Corinna Lotz | Kandinsky: the path to abstraction | Tate Modern |
| Corinna Lotz | Kyun-Chome | Deptford X |
| Corinna Lotz | Life and death: Pompeii and Herculaneum | British Museum |
| Corinna Lotz | Light Shining in Buckinghamshire | Caryl Churchill |
| Corinna Lotz | Linda Persson | Julian Hartnoll Gallery |
| Corinna Lotz | Living Landscape | Robin Richmond |
| Corinna Lotz | Louise Bourgeois, Francis Bacon and Frances Aviva Blane | De Queeste Art |
| Corinna Lotz | Manet: Portraying Life | Royal Academy |
| Corinna Lotz | Michelangelo Drawings: Closer to the Master | British Museum |
| Corinna Lotz | Music Night at the Apollo | Lilian Pizzichini |
| Corinna Lotz | Native Americans face the 21st Century | Alberto Arzoz |
| Corinna Lotz | Nothing | Frances Aviva Blane |
| Corinna Lotz | Out from the shadow of a martyr | Ken Wiwa |
| Corinna Lotz | Painting the Summer: Henri Fantin-Latour | York City Art Gallery |
| Corinna Lotz | Paul Hart | JaggedArt |
| Corinna Lotz | Paul Tonkin | Delfina |
| Corinna Lotz | Paul Tonkin | Old Electrical Shop café |
| Corinna Lotz | Peter Doig | Tate Britain |
| Corinna Lotz | Philosophical Arabesques | Nikolai Bukharin |
| Corinna Lotz | Photographs of the Touareg nomads | Alberto Arzoz |
| Corinna Lotz | Pictures against the wall | P.O.W. |
| Corinna Lotz | Product Medea 4.0 | Cock Tavern |
| Corinna Lotz | Red Black and Ignorant | Edward Bond |
| Corinna Lotz | Revolution on Paper: Mexican Prints 1910-1960 | British Museum |
| Corinna Lotz | Richard Walker | Gabriel Fine Art |
| Corinna Lotz | Rodchenko and His Circle | Art Sensus |
| Corinna Lotz | Rodin | Royal Academy |
| Corinna Lotz | Russia and the Arts – The age of Tolstoy and Tchaikovsky | National Portrait Gallery |
| Corinna Lotz | Russian Avant-Garde | Bozar, Brussels |
| Corinna Lotz | Saul Steinberg Illuminations | Dulwich Picture Gallery |
| Corinna Lotz | Scratch the Surface | National Gallery |
| Corinna Lotz | Sophie Scholl, the final days | Marc Rothemund |
| Corinna Lotz | Soviet Non-Conformist Art - Before and after the fall of the USSR | Chambers Gallery |
| Corinna Lotz | Spook Country | William Gibson |
| Corinna Lotz | Spring Revolutions, The Years of Celebrity | Atlas Gallery, Estorick Collection |
| Corinna Lotz | Stalingrad: How the Red Army Triumphed | Michael K Jones |
| Corinna Lotz | State Britain | Mark Wallinger |
| Corinna Lotz | Stockwell Depot 1967-1979 | University of Greenwich Galleries |
| Corinna Lotz | Stones of the Sky | Robin Richmond |
| Corinna Lotz | Studies for a Portrait | White Bear Theatre Kennington |
| Corinna Lotz | Tagore’s Universal Allegories | Inerva |
| Corinna Lotz | Taking Sides | Ronald Harwood |
| Corinna Lotz | The Art of a Nation | Mall Galleries |
| Corinna Lotz | The Backroom | Adrian Pagan |
| Corinna Lotz | The battle for Spain | Antony Beevor |
| Corinna Lotz | The Dark Sahara | Jeremy Keenan |
| Corinna Lotz | The Edukators | Hans Weingartner |
| Corinna Lotz | The Ides of March | Duncan Ley |
| Corinna Lotz | The Institute of Sexology | Wellcome Collection |
| Corinna Lotz | The Making of a Cybertariat: virtual work in a real world | Ursula Huws |
| Corinna Lotz | The Problem of the Media, US Communication Politics in the 21st Century | Robert W McChesney |
| Corinna Lotz | The Taming of the Shrew | byMoonlight Theatre |
| Corinna Lotz | The Tempest | William Shakespeare |
| Corinna Lotz | The Unknown Monet | Royal Academy of Arts |
| Corinna Lotz | The Vorticists: Manifesto for a Modern World | Tate Britain |
| Corinna Lotz | Think of England | Richard Walker |
| Corinna Lotz | Tosca's Kiss | Kenneth Jupp |
| Corinna Lotz | Undercover, The True Story of Britain's Secret Police | Paul Lewis & Rob Evans |
| Corinna Lotz | Vermeer and Music | National Gallery |
| Corinna Lotz | Vessel | Ian Rawlinson |
| Corinna Lotz | Vladimir Yankilevsky | Mall Galleries |
| Corinna Lotz | Watercolour | Tate Britain |
| Corinna Lotz | We Go Wandering at Night | Cock Tavern |
| Corinna Lotz | We The People | Eric Schlosser |
| Corinna Lotz | Why it’s kicking off everywhere | Paul Mason |
| Corinna Lotz | Willie McKeown | Inverleith House |
| Corinna Lotz | Wolfgang Tillmans | Serpentine Gallery |
| Corinna Lotz | Woman Bomb | Ivana Sajko |
| Corinna Lotz; photos Lizzy Clarke | Che as revolutionary and icon | V & A |
| Dave Douglass | A Pub Crawl Through History | Mike Pentelow, Peter Arkell |
| Dave Terrey | Indigenous Nations' Rights in the Balance | Charmaine White Face, Zumila Wobaga |
| David Schwartzman | Global Warming's Terrifying New Math | Bill McKibben |
| Dylan Strain | Applause, Cheer, Boo, Hiss | Land of Talk |
| Dylan Strain | Brianstorm | Artic Monkeys |
| Dylan Strain | Gal Rasche | Konzerthaus Vienna |
| Dylan Strain | Get loaded in the park | Clapham Common |
| Dylan Strain | Humbug | Arctic Monkeys |
| Dylan Strain | In Rainbows | Radiohead |
| Dylan Strain | Internal Conversations in the Dark | The Duke of Disillusion |
| Dylan Strain | Leave before the lights come on | The Arctic Monkeys |
| Dylan Strain | Love House | the nkr |
| Dylan Strain | Merry Christmas | Asobi Seksu |
| Dylan Strain | Monday Love | The Good Ship |
| Dylan Strain | Panic Prevention | Jamie-T |
| Dylan Strain | Serapions | Edwin Piplits |
| Dylan Strain | The Amazing Mrs Pritchard | Sally Wainwright |
| Dylan Strain | The Father | Strindberg |
| Dylan Strain | The Good, The Bad & The Queen | Alborn, Allen, Tong, Simonon |
| Dylan Strain | Volta | Bjork |
| Dylan Strain | Walk On The Moon | Asobi Seksu |
| Eugene Dalton-Ruark | Rough Crossings | Lyric Hammersmith |
| Fiona Harrington | Bait and Switch: The Futile Pursuit of the Corporate Dream | Barbara Ehrenreich |
| Fiona Harrington | Geordies - Wa Mental & The Wheel’s Still in Spin | Dave Douglas |
| Fiona Harrington | It could have all been so different | Laurence Keeley |
| Fiona Harrington | The Carbon Neutral Myth: Offset indulgences for your climate sins | Carbon Trade Watch |
| Fiona Harrington | The Trial of Tony Blair | Alistair Beaton |
| George Harbinson | The Uncommon Reader | Alan Bennett |
| Gerry Gold | After Occupy: Economic Democracy for the 21st Century | Tom Malleson |
| Gerry Gold | Capital in the Twenty-First Century | Thomas Piketty |
| Gerry Gold | Capitalism versus Planet Earth | Fawzi Ibrahim |
| Gerry Gold | Capitalism’s New Crisis, what do socialists say? | Chris Harman |
| Gerry Gold | Local Food | Tamzin Pinkerton & Rob Hopkins |
| Gerry Gold | Making Money, the philosophy of crisis capitalism | Ole Bjerg |
| Gerry Gold | Marx and alienation: essays on Hegelian themes | Sean Sayers |
| Gerry Gold | Marx’s Das Kapital, A Biography | Francis Wheen |
| Gerry Gold | McLibel: The sequel - the postman and the gardener who took on McDonald's | Spanner Films |
| Gerry Gold | Modernising Money | Andrew Jackson & Ben Dyson |
| Gerry Gold | Plundering the Public Sector | David Craig |
| Gerry Gold | Squeezed, America as the Bubble Bursts | Danny Schechter |
| Gerry Gold | The Collapse of Western Civilization | Naomi Oreskes, Erik M Conway |
| Gerry Gold | The Credit Crunch | Graham Turner |
| Gerry Gold | The Enigma of Capital, And the Crises of Capitalism | David Harvey |
| Gerry Gold | The Failure of Capitalist Production | Andrew Kliman |
| Gerry Gold | The New Paradigm for Financial Markets: The Credit Crisis of 2008 | George Soros |
| Gerry Gold | The Sustainable Economics of Elinor Ostrom | Derek Wall |
| Gerry Gold | Wisconsin Uprising, Labor Fights Back | Monthly Review Press |
| Giuseppe Marasco | (Un)natural Narratives | Standpoint Gallery |
| Giuseppe Marasco | Depart | Circa |
| Giuseppe Marasco | Foreign Bodies, Common Ground | Wellcome Collection |
| Giuseppe Marasco | Katy Moran | Parasol Unit gallery |
| Giuseppe Marasco | Lara Viana | Domobaal |
| Giuseppe Marasco | Valerie Wiffen | Hampstead School of Art |
| Harold Pinter | Harold Pinter acceptance speech for Nobel Prize for Literature | Harold Pinter |
| Jelena Gerreyn | Feral | New Wimbledon Studio |
| Joe Taylor | Paramilitarism and the Assault on Democracy in Haiti | Jeb Sprague |
| John Eden | Foxhunting and land ownership - the rich at play | RPM |
| John Vincent | Globalisation, information and libraries: the implications of the World Trade Organisation’s GATS and TRIPS Agreements | Ruth Rikowski |
| Kate McCabe | A Child of Our Time | Michael Tippett |
| Kate McCabe | A Dirty War, a Russian reporter in Chechnya | Anna Politkovskaya |
| Kate McCabe | Black Earth City | Charlotte Hobson |
| Kate McCabe | Helen Macfarlane: a feminist, revolutionary journalist and philosopher in mid-nineteenth century England | David Black |
| Kate McCabe | Marx's Ecology | John Bellamy Foster |
| Laurence Humphries | A New Labour Nightmare: the return of the awkward squad | Andrew Murray |
| Laurence Humphries | Hadi never died: Hadi Saleh and the Iraqi trade unions | Abdullah Muhsin and Alan Johnson |
| Laurence Humphries | Rebel City - Larkin, Connolly and the Dublin labour movement | John Newsinger |
| Leda Kamenopoulou | Awakening to Life | Alexander Meshcheriakov |
| Maria Antonietta Perna | Amazing Grace | Michael Apted |
| Maria Antonietta Perna | How To Read Sartre | Robert Bernasconi |
| Maria Antonietta Perna | Tête à Tête: The Lives and Loves of Simone de Beauvoir & Jean-Paul Sartre | Hazel Rowley |
| Melanie Abrams | Artes Mundi | National Museum Cardiff |
| Melanie Abrams | Documenting Style: 60 Years of Fashion Photography | Magnum Photos |
| Melanie Abrams | Hogarth; Gilbert & George | Tate |
| Melanie Abrams | The Art of Lee Miller | V & A |
| Melanie Abrams | Vanity Fair Portraits: Photographs 1913-2008 | National Portrait Gallery |
| Mike Clement | Donjong Heights | Ben Borek |
| Mike Clement | Perfect Blemish Perffaith Nam | Menna Elfyn |
| Paul Feldman | A very British strike | Anne Perkins |
| Paul Feldman | Capitalism as if the world matters | Jonathon Porritt |
| Paul Feldman | Evaluating the operation of PFI in roads and hospitals. ACCA Research report No.84 | ACCA |
| Paul Feldman | Fire in Babylon | Stevan Riley |
| Paul Feldman | Just Law | Helena Kennedy |
| Paul Feldman | Real Enemies | Kathryn Omsted |
| Paul Feldman | Revolution at the Gates | Slavoj Zizek |
| Paul Feldman | Richard II | Shakespeare |
| Paul Feldman | Spies, lies and whistleblowers | Annie Machon |
| Paul Feldman | Stupid White Men | Michael Moore |
| Paul Feldman | Taking Liberties | Chris Atkins |
| Paul Feldman | The British Constitution | Anthony King |
| Paul Feldman | The Degradation of the International Legal Order | Bill Bowring |
| Paul Feldman | The fearful rise of markets | John Authers |
| Paul Feldman | The Power of Yes | David Hare |
| Paul Feldman | The Shield of Achilles | Philip Bobbitt |
| Paul Feldman | The Spirit of ’45 | Ken Loach |
| Paul Feldman | The Tyrannicide Brief | Geoffrey Robertson |
| Paul Feldman | Twelve Days - revolution 1956 | Victor Sebestyen |
| Penny Cole | A Model for Mankind | James Sheldon |
| Penny Cole | A New World: a life of Thomas Paine | Shakespeare’s Globe Theatre |
| Penny Cole | A window on Ukraine | Robert Burns at The Hidden Gallery |
| Penny Cole | Alison Watt: Phantom | National Gallery |
| Penny Cole | An inconvenient truth | Al Gore |
| Penny Cole | Beyond the Corporation , Humanity Working | David Erdal |
| Penny Cole | Brilliant women - 18th Century Bluestockings | National Portrait Gallery |
| Penny Cole | Choco, Colour and rhythm of Cuba | Chambers Gallery |
| Penny Cole | Collaboration | Ronald Harwood |
| Penny Cole | David Mach | Edinburgh City Arts Centre |
| Penny Cole | Earth Shattering | Neil Astley |
| Penny Cole | Every Good Boy Deserves Favour | Tom Stoppard and André Previn |
| Penny Cole | Harold Pinter wins Nobel Prize for Literature | Harold Pinter |
| Penny Cole | Heat | George Monbiot |
| Penny Cole | Holding Fire | Jack Shepherd |
| Penny Cole | Killing the Messenger | Christopher Wallace |
| Penny Cole | Michael Clayton | Tony Gilroy |
| Penny Cole | More Bad News from Israel | Greg Philo and Mike Berry |
| Penny Cole | Picasso and Modern British Art | Scottish Gallery of Modern Art |
| Penny Cole | Radical Light: Italy’s Divisionist Painters | National Gallery |
| Penny Cole | Rock ‘N’ Roll | Tom Stoppard |
| Penny Cole | Signs of Revolt | Truman Brewery |
| Penny Cole | Syriana | George Clooney |
| Penny Cole | The Age of Stupid | Franny Armstrong |
| Penny Cole | The Bourne Ultimatum | Paul Greengrass |
| Penny Cole | The Carbon Connection | Carbon Trade Watch |
| Penny Cole | The Men Who Stare at Goats | Grant Heslov |
| Penny Cole | The Queen | Stephen Frear |
| Penny Cole | The Shared Heart | Brian and Bibo Keeley |
| Penny Cole | Van Gogh to Kandinsky: Symbolist Landscape in Europe 1880-1910 | National Gallery of Scotland |
| Penny Cole | Volver | Pedro Almodóvar |
| Penny Cole | Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh | Whitechapel Gallery |
| Penny Cole | Windrush Songs | James Berry |
| Peter Arkell | A Hidden History of the Cuban Revolution: How the Working Class Shaped the Guerrillas’ Victory | Steve Cushion |
| Peter Arkell | A World to Win: a rough guide to a future without global capitalism | Paul Feldman & Corinna Lotz |
| Peter Arkell | A Writer at War: Vasily Grossman with the Red Army 1941-1945 | Antony Beevor |
| Peter Arkell | Algeria: France’s Undeclared War | Martin Evans |
| Peter Arkell | Another World Is Possible - a manifesto for a 21st century socialism | John McDonnell |
| Peter Arkell | Che Part I | Steven Soderbergh |
| Peter Arkell | Chinese Whispers | Hsiao-Hung Pai |
| Peter Arkell | Cuba, What Everyone Needs to Know & The Bay of Pigs | Julia E Sweig and Howard Jones |
| Peter Arkell | Defy the Stars, The Life and Tragic Death of Tom Hurndall | Jocelyn Hurndal |
| Peter Arkell | Digging the Seam | Simon Popple and Ian W Macdonald [Eds] |
| Peter Arkell | Everything Flows | Vasily Grossman |
| Peter Arkell | From a Rock to a Hard Place: memories of the 1984/85 Miners Strike | Beverley Trounce |
| Peter Arkell | Ghost Dancers | Dave Douglass |
| Peter Arkell | Global NATO and the Catastrophic Failure in Libya | Horace Campbell |
| Peter Arkell | Hiroshima: the World’s Bomb | Andrew J. Rotter |
| Peter Arkell | If Spirit Alone Won Battles: The Diary of John Lowe | Jonathan Symcox |
| Peter Arkell | Inside Al Qaeda and the Taliban + Understanding Al Qaeda | Syed Saleem Shahzad + Mohamedou |
| Peter Arkell | Jimmy’s Hall | Ken Loach |
| Peter Arkell | Life and Fate | Vasily Grossman |
| Peter Arkell | Life and Fate | Vasily Grossman |
| Peter Arkell | Marching to the Fault Line | Francis Beckett and David Hencke |
| Peter Arkell | Mineros, Bolivia | Jean-Claude Wicky |
| Peter Arkell | My Father was a Freedom Fighter: Gaza’s untold story | Ramzy Baroud |
| Peter Arkell | My Life in the PLO | Shafiq Al-Hout |
| Peter Arkell | Orwell and Marxism, The political and Cultural Thinking of George Orwell | Philip Bounds |
| Peter Arkell | Revolutionary Doctors | Steve Brouwer |
| Peter Arkell | Ricin! The Inside Story of the Terror Plot That Never Was | Lawrence Archer and Fiona Bawdon |
| Peter Arkell | Secret manoeuvres in the Dark: Corporate and Police Spying on Activists | Eveline Lubbers |
| Peter Arkell | Shafted: the Media, the Miners’ strike & the Aftermath | ed: Granville Williams |
| Peter Arkell | The Domestic Extremists | Dan Davies |
| Peter Arkell | The New Spectre Haunting Europe—The ECJ, Trade Union Rights, and the British Government | K.D. Ewing and John Hendy QC |
| Peter Arkell | The Riches beneath Our Feet: How Mining Shaped Britain | Geoff Coyle |
| Peter Arkell | The Shock Doctrine - the rise of Disaster Capitalism | Naomi Klein |
| Peter Arkell | This Changes Everything: Capitalism vs The Climate | Naomi Klein |
| Peter Arkell | UTOPIA | Ross Bradshaw |
| Peter Arkell | Virtual Words, Language on the Edge of Science and Technology | Jonathon Keats |
| Peter Arkell | What we Bury at Night, Disposable Humanity | Julian Aguon |
| Peter Arkell | Wonderland | Beth Steel |
| Peter Arkell & Nicole Curie | The War on Democracy | John Pilger |
| Peter Newton | Naked | Benjamin Zephaniah |
| Peter Sturm | Russian Avant-Garde Theatre | V & A |
| Phil Sharpe | A User’s Guide to the Crisis of Civilisation | Nafeez Mosaddeq Ahmed |
| Phil Sharpe | Antonio Gramsci | Antonio Santucci |
| Phil Sharpe | Beyond Resistance | Gerry Gold and Paul Feldman |
| Phil Sharpe | Change the world without taking power | John Holloway |
| Phil Sharpe | Civil Resistance and Power Politics | Oxford University Press |
| Phil Sharpe | First As Tragedy, Then as Farce | Slavoj Zizek |
| Phil Sharpe | GB84 | David Peace |
| Phil Sharpe | Labour Party PLC | David Osler |
| Phil Sharpe | Living in the End Times | Slavoj Zizek |
| Phil Sharpe | Magical Marxism | Andy Merrifield |
| Phil Sharpe | Making the Social World | John R Searle |
| Phil Sharpe | Mexico’s Revolution Then and Now | James D Cockcroft |
| Phil Sharpe | No Redemption | Keith Pattison and David Peace |
| Phil Sharpe | Philosophy Bites | David Edmonds, Nigel Warburton |
| Phil Sharpe | The Battle of Venezuela | Michael McCaughan |
| Phil Sharpe | The Rise of the Tea Party | Anthony DiMaggio |
| Phil Sharpe | The Value of Nothing, How to reshape market society and redefine democracy | Raj Patel |
| Phil Sharpe | Unfinished Business | Peter Arkell and Ray Rising |
| Philip Wade | Engels: A revolutionary life | John Green |
| Ravi Bali | Reclaiming Marx’s Capital, The Failure of Capitalist Production | Andrew Kliman |
| Robbie Griffiths | Anselm Kiefer | Royal Academy of Arts |
| Robbie Griffiths | Classic Italian Film Posters | Estorick Collection |
| Robbie Griffiths & Corinna Lotz | Singing for Inanna | Adnan Al-Sayegh & Jenny Lewis |
| Robert Silver | Fences and Windows: Dispatches from the Frontlines of the Globalization Debate | Naomi Klein |
| Robin Richmond | Abstract Expressionist New York | MoMA |
| Robin Richmond | Anish Kapoor | Royal Academy of Arts |
| Robin Richmond | Anselm Kiefer | White Cube |
| Robin Richmond | Conservation: Principles, Dilemmas and Uncomfortable Truths | Alison Richmond & Alison Bracker |
| Robin Richmond | From Beatles to Bowie; The 60s Exposed | National Portrait Gallery |
| Robin Richmond | Garden and Cosmos - the Royal Paintings of Jodhpur | British Museum |
| Robin Richmond | George Shaw: My Back to Nature | National Gallery |
| Robin Richmond | Huang Yong Ping | Vancouver Art Gallery |
| Robin Richmond | Leonardo and Vermeer | National Gallery & Fitzwilliam |
| Robin Richmond | Moctezuma: Aztec Ruler | British Museum |
| Robin Richmond | Paul Klee: Making Visible | Tate Modern |
| Robin Richmond | Picasso: Challenging The Past | National Gallery |
| Robin Richmond | Rembrandt, the late works | National Gallery |
| Robin Richmond | Renaissance Faces: Van Eyck to Titian | National Gallery |
| Robin Richmond | Renaissance Siena Art for a City | National Gallery |
| Robin Richmond | Renoir Landscapes | National Gallery |
| Robin Richmond | Rothko | Tate |
| Robin Richmond | Schwitters in Britain | Tate Britain |
| Robin Richmond | The Painting of Modern Life | Hayward Gallery |
| Robin Richmond | The Sacred Made Real | National Gallery |
| Robin Richmond | Turner and the Masters | Tate Britain |
| Robin Richmond | Veronese: Magnificence in Renaissance Venice | National Gallery |
| Robin Spalding | Everyday Adventures with Anthony, his Family and the Flowers | Curwen Gallery |
| Roger Huddle | Alexander Rodchenko: Revolution in Photography | Hayward Gallery |
| Spyros Themelis | Education as an agent for change | Mike Cole |
| Spyros Themelis | Red Seminars: Radical Excursions into Educational Theory, Cultural Politics, and Pedagogy | Peter McLaren and Companeras y Companeros |
| Spyros Themelis | The New Turkey | Chris Morris |
| Spyros Themelis | Twice a Stranger | Bruce Clark |
| Stuart Barlow | Antimatter | Frank Close |
| Stuart Barlow | Complexity: A Guided Tour | Melanie Mitchell |
| Stuart Barlow | Darwin’s Lost World | Martin Brasier |
| Stuart Barlow | Global Warming: A very Short Introduction | Mark Maslin |
| Stuart Barlow | In Estates - An Intimate History | Lynsey Hanley |
| Stuart Barlow | Radical Nature | Barbican |
| Stuart Barlow | Six Degrees: Our Future on a Hotter Planet | Mark Lynas |
| Stuart Barlow | The Big Earth | James Bruges |
| Stuart Barlow | The Food Wars | Walden Bello |
| Stuart Barlow | Things as they ought to be | Exhibit, Golden Lane Estate |
| Stuart Radcliffe | No Logo | Naomi Klein |
| Susan Jappie | A Short History of Slavery | James Walvin |
| Susan Jappie | Bolivia: Processes of Change | John Crabtree & Ann Chaplin |
| Susan Jappie | Communities, Councils and a Low Carbon Future | Alexis Rowell |
| Susan Jappie | Disposable People | Festival Hall |
| Susan Jappie | Enslaved: The New British Slavery | Rahila Gupta |
| Susan Jappie | Even The Rain | Icíar Bollaín |
| Susan Jappie | Evo Morales and the Movimiento Al Socialismo in Bolivia | ed. Adrian Pearce |
| Susan Jappie | Extracted: How the quest for mineral wealth is plundering the planet | Ugo Bardi |
| Susan Jappie | Famine and Foreigners: Ethiopia since Live Aid | Peter Gill |
| Susan Jappie | Making Peace with the Earth | Vandana Shiva |
| Susan Jappie | Recovering Bookchin | Andy Price |
| Susan Jappie | Review of Representing Slavery | National Maritime Museum, Greenwich |
| Susan Jappie | Revolutions that made the earth | Tim Lenton and Andrew Watson |
| Susan Jappie | Sowing seeds in the desert | Masanobu Fukuoka |
| Susan Jappie | The Fall of the US Empire | Vassilis K Fouskas and Bülent Gökay |
| Susan Jappie | The Global Development Crisis | Ben Selwyn |
| Susan Jappie | The Ragged Edge of the World | Eugene Linden |
| Susan Jappie | UJAMAA, The Hidden Story of Tanzania’s Socialist Villages | Ralph Ibbott |
| Susan Jappie | Walter A. Rodney: a promise of revolution | Clairmont Chung |
| Susan Jappie | Witness to extinction: How we failed to save the Yangtze river dolphin | Samuel Turvey |