Music for the children of our time

The Edukators

The angry man of sculpture

Attack on artistic freedom in Russia

Pushing at the edges

The secret life of objects

Porcelain that challenged the world

Bill Brandt

Heaven on Earth: Art from Islamic Lands


The inspiration of Italian cinema


Pissarro in London

Of Villains and Villeins

Piazzas on the eve of destruction

Modernism resurgent

Wilkie - Painter of everyday life

Techno-gothic fusion


Gagarin Way


Vietnam behind the lines

Romney - mirroring the gentry

Caspar David Friedrich - the essential Romantic

The awesome effects of the sublime

Earth & fire

Paul Klee: The nature of creation

John Pilger's Great Eyewitness Photographers

Sarah Medway: In the Realm of the Senses

A glimpse of the Hermitage

Vermeer at the National Gallery

Paul Signac: Travels in France

The other story of British abstract art

Breaking the silence

Century City

Digitising the Hermitage

Ghosts of christmas past

The disasters of war

Picturing the people's game

Picasso as political icon

An art world Schindler

British modernism reclaimed

Brush Power

The modern bronze age

The first museum of modern art

Six women who shook the world

Frances Aviva Blane

Caro's challenge

Ellsworth Kelly at the Tate

Magnum resists the lure of the dollar

Rebel behind the American movement

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Pushing at the edges

Anthony Caro’s lifetime of work – so far - has taken over most of Tate Britain’s temporary spaces. What a great experience it is! With admission tickets thrown to the winds, visitors can roam freely in and out of some of the best sculpture of the past half century.

This opportunity to view Caro’s work in central London is long overdue. Major displays of the 80-year-old’s production over the last decade have often been in other countries and in spectacular settings, such the Trajan Forum in Rome. A small display of photographs provides some clues to the splendour of such events.

Early one morning 1962
Steel and aluminium, painted red

Walking through the twelve spaces on the Tate’s ground floor, we are given a fascinating account of Caro’s evolution from the 1950s up to the present.

Sun Feast 1969-70
Steel painted yellow

Apparently the artist refused to admit the idea of visitors seeing the show in separate parts, and it was impossible to restrict entrance to the Duveen Galleries – and the result is a truly public sculptural installation that strains at the spatial boundaries of its setting.

The plan is to erect the most recent work, the monumental Millbank Steps, outdoors on Westminster Embankment after the exhibition closes.

Anthony Caro at Tate Britain. Until 17 April. Daily 10-17.50. Admission Free.